http://spinnerproductions40.wix.com/spinnerproductions
Friday, 4 April 2014
Friday, 14 February 2014
Thursday, 13 February 2014
Shooting Schedule
Shooting Schedule
On the 12th of November I went to London to film
for my media production. I chose London as it is an iconic location recognisable
all around the world.
8:45 am: We met at Beauchamps High School to collect all of
the equipment we needed, Cameras, Tri- Pods and Microphones.
9:00 am: We met at Wickford station early to make sure we
got our train on time.
10:35 am: We arrived in Liverpool Street and headed towards
a building to film a roof top scene. We got to at the building at 11:05 am.
11:20 am: We filmed some scenes inside the building for the psychiatrist
part as the building looked professional.
11:35am: We set up our cameras and began filming our scenes,
this scene was only a short scene therefore we did not need long there.
11:45 am: We headed back to Liverpool Street Station to get
a train to Tower Bridge to film some more scenes.
12:10 pm: We arrived at Tower Bridge Station and made our
way down to the river Thames.
12:25 pm: We set up our equipment and started to film our
scenes. We were lucky enough to get some ambient sounds and people walking past
our camera to make it look more realistic and more natural and also busy.
13:20: We had finished filming at Tower Bridge and headed
back to Liverpool Street Station to return back to Wickford to begin filming
scenes there.
14:30: We arrived in Wickford and made our way to a local
church to get some scenes (of Chloe crying.)
15:10: We had finished at the church and then made our way
to my house to film some of the key scenes.
15:35: We arrived at my house and began filming, as these
were some of the important scenes I spent a long time filming making sure
everything was perfect.
On the 26th November I had to film a couple of
scenes involving the green screen, however as this was too heavy to take home I
brought my actors into school to use it.
12:10 pm: We set up the green screen in the media room and
began to film.
13:00 pm: Although it was only a few scenes that needed to
be filmed we had quite a struggle putting up the green screen so it took longer
than anticipated.
The weekend of the 28th of November to the 3rd
of December I took the camera home to try and get some shots of the rain and
try and find the right place for the caravan scene to be set.
On Sunday, the 1st of December, while driving
past a field I noticed a caravan on its own in a field, and began to film it. I
did not have any rain that weekend so I took the camera home during that
following week and managed to get some good shots of the rain.
Conventions of a Thriller Film
Conventions of a Thriller Film
More PowerPoint presentations from Sam Pinner
Thursday, 6 February 2014
Wednesday, 5 February 2014
Wednesday, 15 January 2014
Tuesday, 14 January 2014
Shooting Script
Shot Number
|
Shot Type
|
Location
|
Misé-en-scene
|
Ambient Sounds
|
Sounds/ Music.
|
Dialogue.
|
1
|
Long Shot of Chloe next to a grave.
|
Graveyard
|
Grave stones, church, flowers
|
Birds, Church bells.
|
No music.
|
No Dialogue.
|
2
|
Dolly Cam (Front View) or Chloe and Jack walking.
|
London embankment.
|
London Eye, shopping bags.
|
Cars, People talking, river wave sounds.
|
Upbeat music.
|
Chloe: “I’m having such a good day today.”
Jack “Me to.”
|
3
|
Close Up of Chloe and Jack.
|
Street in London.
|
Shopping Bags.
|
Cars, people talking.
|
Upbeat happy music.
|
Jack “I’m so happy with you.”
Chloe “I know, I don’t want nothing to change.”
|
4
|
Mid Shot of Alex.
|
Coffee shop.
|
Newspaper, cup of coffee.
|
People Talking.
|
Upbeat music, starting to fade out.
|
No Dialogue.
|
5
|
Close up of Alex.
|
Coffee shop.
|
None.
|
People Talking.
|
No music.
|
No Dialogue.
|
6
|
Long Shot of a caravan.
|
Empty field.
|
Caravan (in the distance)
|
Crows/ birds, low storm
sounds.
|
Loud boom. Fast, low pitch music, fading in to shot.
|
No Dialogue.
|
7
|
Over the Shoulder Shot- Mid Shot of Marviosa.
|
Inside Marviosa’s house.
|
Crystal Ball, small doll in the shape of Jack, jars of body parts.
|
Storm Sounds.
|
Loud boom (on top of low pitch music.)
|
Marviosa: “What can I help you with?”
Alex: “I want this girl to love me, but there are obstacles in the
way.”
|
8
|
180 degree rule – mid shot of Alex and Marviosa.
|
Inside Marviosa’s house.
|
Crystal ball, small doll in the shape of Jack, jars of body parts.
|
Storm sounds.
|
Low pitch music increasing pitch and tempo.
|
Marviosa: “I will help you. But theres a price.”
Alex: “Anything.”
Marviosa: “Anything?”
|
9
|
Extreme Close up of Marviosa’s hands.
|
Inside marviosa’s house.
|
Small doll, small mirror.
|
Storm sounds.
|
Music stays the same as shot 8.
|
Alex: “Yes please.”
Marviosa: “Consider it done.”
|
10
|
Close up of Jack.
|
Attack/ loft.
|
Mirror.
|
No ambient sounds.
|
Another loud boom.
|
Jack: “Wha-? Where am I?”
“HELP.”
|
11
|
Long shot of a house.
|
Outside new house, in a quiet street.
|
House, cars.
|
Cars, children playing, birds.
|
No music.
|
No Dialogue.
|
12
|
Mid shot of Alex and Chloe.
|
Inside bedroom.
|
Bed, bedside table.
|
No sounds.
|
Low pitch, low tempo music with violin sounds.
|
No Dialogue.
|
13
|
Low angle long shot of the mirror.
|
Inside loft/attic.
|
Mirror, mirror cover.
|
No sounds.
|
Low pitch, fast tempo music with violin sounds.
|
No Dialogue.
|
14
|
High angle long shot of Alex.
|
Inside loft/ attic.
|
Mirror, mirror cover.
|
Cover being pulled off of mirror. (emphasised)
|
Music in shot 14 is higher in pitch and faster.
|
No Dialogue.
|
15
|
Low mid shot of Alex’s feet.
|
Inside loft/ attic.
|
Alex’s foot.
|
Footsteps. (emphasised)
|
Loud boom.
|
No Dialogue.
|
16
|
Dutch tilt up to Over the shoulder shot of Jack.
|
Inside loft/ attic.
|
Mirror.
|
Jack hitting the mirror.
|
Music drops in pitch, then starts to increase.
|
Jack; “Get Me Out!”
|
17
|
Long shot of Chloe and Alex.
|
Outside their house.
|
House, baby, camera (man with camera)
|
Cars, camera clicking.
|
Music volume decreases.
|
Photographer; “Smile”
|
18
|
Close Up if Alex’s face.
|
Inside bedroom.
|
Pillow, bed.
|
Covers turning.
|
Music volume increases, high pitch violin/ orchestral sounds.
|
No Dialogue.
|
19
|
High angle, establishing shot of the city.
|
On top of big building in London.
|
London Buildings, vehicles.
|
Vehicles, birds
|
Loud boom.
Orchestral sounds start to fade out, high pitch music continues.
|
No Dialogue.
|
20
|
Long shot of Jack and Alex.
|
On top of big London building.
|
London buildings, vehicles.
|
Vehicles, birds
|
High pitch music switches to low pitch music.
|
Alex; “What you want from me?”
Jack; “Jump. Take the same path you chose for me”
|
21
|
Establishing Shot of London building.
|
Standing in a London street.
|
Buses, cars, London Buildings.
|
Buses, cars.
|
Music in shot 20 fades out slightly.
|
No Dialogue.
|
22
|
Over the shoulder shot- mid shot of Alex.
|
In an office.
|
Psychiatrist chair, pen, pad, clock on the wall, a mirror.
|
Clock ticking.
|
Upbeat, fast tempo music, which slowly fades to a slower tempo piece
of music.
|
Sarah; “What can I help you with?”
Alex; “I think someone’s trying to kill me.”
Sarah; “elaborate. Please.”
|
23
|
180 degree rule -mid shot of Sarah and Alex talking.
|
In an office.
|
Psychiatrist chair, pen, pad, clock on the wall, a mirror.
|
Clock ticking.
|
Music in shot 22 starts to fade out.
|
Alex; “I keep having this re occurring nightmare that this man is
trying to kill me.”
Sarah; “Who is this man, why is he trying to kill you”
Alex; “He’s… my worst nightmare! He’s everything I hate about
myself.”
|
24
|
Close up of Chloe.
|
In the house, in the kitchen.
|
Sink, plates.
|
Water from sink. (exaggerated)
|
No music.
|
No Dialogue.
|
25
|
Mid Shot Alex and Chloe.
|
In the kitchen.
|
Table, chairs.
|
Clock. (exaggerated)
|
Music in shot 23 begins to play again.
Loud boom.
|
Chloe; “What’s wrong? You’ve been so distant lately.”
(long pause)
|
26
|
Mid Shot of Jack.
|
In the kitchen.
|
Table, Chairs.
|
Dripping of water.
|
Music in shot 25 continues to play.
Loud boom.
|
Alex; “I don’t need this right now!”
Chloe; “But I’m your wife!”
Alex; “Just leave me alone!”
|
27
|
High angle long shot of Alex.
|
Stairway.
|
Stairs.
|
Sound of feet on stairs.
|
Fast pace, high pitch orchestral sounds. Some low pitch sounds.
|
No Dialogue.
|
28
|
Low angle- Point of view shot of Alex.
|
In the attic/ loft.
|
Mirror.
|
Footsteps on floor boards.
|
Music in shot 27 increases in tempo.
|
No Dialogue.
|
29
|
Long Shot of Alex.
|
Empty street in the evening.
|
Cars, lampposts.
|
Footsteps. (exaggerated)
|
Music stays the same as in shot 28.
|
No Dialogue.
|
30
|
180 Degree rule- Mid shot of Chloe and Alex.
|
In the attic/ loft.
|
Mirror.
|
Breathing.
|
Music changes, to slow high tempo romantic music.
|
No Dialogue.
|
31
|
Close up of Alex.
|
In the bedroom, in the bed.
|
Pillow, Bed.
|
No sounds.
|
Loud boom.
|
Alex; “AH!”
|
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