Wednesday, 15 January 2014
Tuesday, 14 January 2014
Shooting Script
Shot Number
|
Shot Type
|
Location
|
Misé-en-scene
|
Ambient Sounds
|
Sounds/ Music.
|
Dialogue.
|
1
|
Long Shot of Chloe next to a grave.
|
Graveyard
|
Grave stones, church, flowers
|
Birds, Church bells.
|
No music.
|
No Dialogue.
|
2
|
Dolly Cam (Front View) or Chloe and Jack walking.
|
London embankment.
|
London Eye, shopping bags.
|
Cars, People talking, river wave sounds.
|
Upbeat music.
|
Chloe: “I’m having such a good day today.”
Jack “Me to.”
|
3
|
Close Up of Chloe and Jack.
|
Street in London.
|
Shopping Bags.
|
Cars, people talking.
|
Upbeat happy music.
|
Jack “I’m so happy with you.”
Chloe “I know, I don’t want nothing to change.”
|
4
|
Mid Shot of Alex.
|
Coffee shop.
|
Newspaper, cup of coffee.
|
People Talking.
|
Upbeat music, starting to fade out.
|
No Dialogue.
|
5
|
Close up of Alex.
|
Coffee shop.
|
None.
|
People Talking.
|
No music.
|
No Dialogue.
|
6
|
Long Shot of a caravan.
|
Empty field.
|
Caravan (in the distance)
|
Crows/ birds, low storm
sounds.
|
Loud boom. Fast, low pitch music, fading in to shot.
|
No Dialogue.
|
7
|
Over the Shoulder Shot- Mid Shot of Marviosa.
|
Inside Marviosa’s house.
|
Crystal Ball, small doll in the shape of Jack, jars of body parts.
|
Storm Sounds.
|
Loud boom (on top of low pitch music.)
|
Marviosa: “What can I help you with?”
Alex: “I want this girl to love me, but there are obstacles in the
way.”
|
8
|
180 degree rule – mid shot of Alex and Marviosa.
|
Inside Marviosa’s house.
|
Crystal ball, small doll in the shape of Jack, jars of body parts.
|
Storm sounds.
|
Low pitch music increasing pitch and tempo.
|
Marviosa: “I will help you. But theres a price.”
Alex: “Anything.”
Marviosa: “Anything?”
|
9
|
Extreme Close up of Marviosa’s hands.
|
Inside marviosa’s house.
|
Small doll, small mirror.
|
Storm sounds.
|
Music stays the same as shot 8.
|
Alex: “Yes please.”
Marviosa: “Consider it done.”
|
10
|
Close up of Jack.
|
Attack/ loft.
|
Mirror.
|
No ambient sounds.
|
Another loud boom.
|
Jack: “Wha-? Where am I?”
“HELP.”
|
11
|
Long shot of a house.
|
Outside new house, in a quiet street.
|
House, cars.
|
Cars, children playing, birds.
|
No music.
|
No Dialogue.
|
12
|
Mid shot of Alex and Chloe.
|
Inside bedroom.
|
Bed, bedside table.
|
No sounds.
|
Low pitch, low tempo music with violin sounds.
|
No Dialogue.
|
13
|
Low angle long shot of the mirror.
|
Inside loft/attic.
|
Mirror, mirror cover.
|
No sounds.
|
Low pitch, fast tempo music with violin sounds.
|
No Dialogue.
|
14
|
High angle long shot of Alex.
|
Inside loft/ attic.
|
Mirror, mirror cover.
|
Cover being pulled off of mirror. (emphasised)
|
Music in shot 14 is higher in pitch and faster.
|
No Dialogue.
|
15
|
Low mid shot of Alex’s feet.
|
Inside loft/ attic.
|
Alex’s foot.
|
Footsteps. (emphasised)
|
Loud boom.
|
No Dialogue.
|
16
|
Dutch tilt up to Over the shoulder shot of Jack.
|
Inside loft/ attic.
|
Mirror.
|
Jack hitting the mirror.
|
Music drops in pitch, then starts to increase.
|
Jack; “Get Me Out!”
|
17
|
Long shot of Chloe and Alex.
|
Outside their house.
|
House, baby, camera (man with camera)
|
Cars, camera clicking.
|
Music volume decreases.
|
Photographer; “Smile”
|
18
|
Close Up if Alex’s face.
|
Inside bedroom.
|
Pillow, bed.
|
Covers turning.
|
Music volume increases, high pitch violin/ orchestral sounds.
|
No Dialogue.
|
19
|
High angle, establishing shot of the city.
|
On top of big building in London.
|
London Buildings, vehicles.
|
Vehicles, birds
|
Loud boom.
Orchestral sounds start to fade out, high pitch music continues.
|
No Dialogue.
|
20
|
Long shot of Jack and Alex.
|
On top of big London building.
|
London buildings, vehicles.
|
Vehicles, birds
|
High pitch music switches to low pitch music.
|
Alex; “What you want from me?”
Jack; “Jump. Take the same path you chose for me”
|
21
|
Establishing Shot of London building.
|
Standing in a London street.
|
Buses, cars, London Buildings.
|
Buses, cars.
|
Music in shot 20 fades out slightly.
|
No Dialogue.
|
22
|
Over the shoulder shot- mid shot of Alex.
|
In an office.
|
Psychiatrist chair, pen, pad, clock on the wall, a mirror.
|
Clock ticking.
|
Upbeat, fast tempo music, which slowly fades to a slower tempo piece
of music.
|
Sarah; “What can I help you with?”
Alex; “I think someone’s trying to kill me.”
Sarah; “elaborate. Please.”
|
23
|
180 degree rule -mid shot of Sarah and Alex talking.
|
In an office.
|
Psychiatrist chair, pen, pad, clock on the wall, a mirror.
|
Clock ticking.
|
Music in shot 22 starts to fade out.
|
Alex; “I keep having this re occurring nightmare that this man is
trying to kill me.”
Sarah; “Who is this man, why is he trying to kill you”
Alex; “He’s… my worst nightmare! He’s everything I hate about
myself.”
|
24
|
Close up of Chloe.
|
In the house, in the kitchen.
|
Sink, plates.
|
Water from sink. (exaggerated)
|
No music.
|
No Dialogue.
|
25
|
Mid Shot Alex and Chloe.
|
In the kitchen.
|
Table, chairs.
|
Clock. (exaggerated)
|
Music in shot 23 begins to play again.
Loud boom.
|
Chloe; “What’s wrong? You’ve been so distant lately.”
(long pause)
|
26
|
Mid Shot of Jack.
|
In the kitchen.
|
Table, Chairs.
|
Dripping of water.
|
Music in shot 25 continues to play.
Loud boom.
|
Alex; “I don’t need this right now!”
Chloe; “But I’m your wife!”
Alex; “Just leave me alone!”
|
27
|
High angle long shot of Alex.
|
Stairway.
|
Stairs.
|
Sound of feet on stairs.
|
Fast pace, high pitch orchestral sounds. Some low pitch sounds.
|
No Dialogue.
|
28
|
Low angle- Point of view shot of Alex.
|
In the attic/ loft.
|
Mirror.
|
Footsteps on floor boards.
|
Music in shot 27 increases in tempo.
|
No Dialogue.
|
29
|
Long Shot of Alex.
|
Empty street in the evening.
|
Cars, lampposts.
|
Footsteps. (exaggerated)
|
Music stays the same as in shot 28.
|
No Dialogue.
|
30
|
180 Degree rule- Mid shot of Chloe and Alex.
|
In the attic/ loft.
|
Mirror.
|
Breathing.
|
Music changes, to slow high tempo romantic music.
|
No Dialogue.
|
31
|
Close up of Alex.
|
In the bedroom, in the bed.
|
Pillow, Bed.
|
No sounds.
|
Loud boom.
|
Alex; “AH!”
|
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